Search: Starring Sean Harris

What the film achieves, better than any other rock music movie, is how unorganised and stupid so much of what went on behind the scenes was.

Burke is interested in people not politics, keeping the focus on the sudden outbreaks of inhumanity and humanity in the madness, expertly crafting his thriller from the swirling fog of war.

So studiously edgy are the performances that one is never quite sure who harbours the darkest pathology.

McKenna-Bruce is good in a role that first requires her to restrain her emotions and then pulls her in several directions at once.

Harry and Luke Treadaway frankly took my breath away.

Smith's screenplay is solidly constructed to deliver well-above-average scares.

[Henderson] holds this difficult movie together in a powerhouse performance of quiet steel.

Any number of the film’s frames belong in frames, fit to adorn palace walls.

There is a skittishness to Guy Myhill's debut that initially feels impressionistic but ultimately seems like carelessness as his narrative weaves unsteadily through its central character's coming of age, unsure where to place its emphasis.

A thoroughly thrilling and unpretentious little flick that takes its genre by the scruff of the neck and drags it kicking and screaming through Scotland's menacing undergrowth.

Kurzel helps to put his two actors at the top of their game.

Open your eyes. Admire the death defying artistry.

This is one of my favourite performances of the year.

Love’s approach is consistently fresh and, until the end, when things fall apart a bit, surprisingly original. The writing here is taut, concise and as lean as a whippet.

The poem and whole tone of the film evokes Ted Hughes’ The Crow anthology.

This big-screen epic is immersive less for its binocular vistas than for their impossibly grand scale

The best reason to see this might be to witness raw talent rearing its head on a non-existent budget.

The film spirals towards the inevitable like a Greek tragedy written in crayon.

There are strong supporting performances from a relatively small cast, but they pale in comparison to Stewart.

The West Country slang in use is at times impenetrable, but it’s clear that writer Alex Simmonds has spent a long time learning its intricacies, and the actors are doing their best to capture the spirit and tone of this community.